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Après Coup: Transforming Trauma into Art

Après Coup, an exhibition conceived in response to individual and collective trauma, will be presented in tandem with the conference Translating Trauma into Art and Literature. (March 19 – May 3, 2018)

View the exhibition catalogue
  • Apres Coup Exhibition, March 19–May 3
    Apres Coup Exhibition, March 19–May 3
  • Samira Abbassy, Reincarnated Fears • Oil on Gesso Panel, 48 X 36, 2016
    Samira Abbassy, Reincarnated Fears • Oil on Gesso Panel, 48” X 36”, 2016
    jmaystudio.com
  • Samira Abbassy, By the Third of Her Generation • Oil on Gesso Panel, 48 X 36, 2016
    Samira Abbassy, By the Third of Her Generation • Oil on Gesso Panel, 48” X 36”, 2016
    jmaystudio.com
  • Susan Erony, Tower of Babel: 1 September 1939 • Inkjet print, 22.7 x 22, 2016
    Susan Erony, Tower of Babel: 1 September 1939 • Inkjet print, 22.7” x 22”, 2016
  • Susan Erony, Tower of Babel: Tree of Races • Inkjet print, 22.7 x 22, 2016
    Susan Erony, Tower of Babel: Tree of Races • Inkjet print, 22.7” x 22”, 2016
  • Susan Erony, Tower of Babel: Useless Eaters • Inkjet print, 22.7 x 22, 2016
    Susan Erony, Tower of Babel: Useless Eaters • Inkjet print, 22.7” x 22”, 2016
  • Joumana Jaber, Chemo Therapy and Chemical Weapons • Digital Photographs, 31x 37, 2017-18
    Joumana Jaber, Chemo Therapy and Chemical Weapons • Digital Photographs, 31"x 37", 2017-18
  • Miriam Katin, On Our Own, 2006
    Miriam Katin, On Our Own, 2006
  • Miriam Katin, Letting It Go, 2013
    Miriam Katin, Letting It Go, 2013
  • jc lenochan, unfinished business this civil question of is slavery dead, • Chalk on Paper, 32 x 40, 2012-present
    jc lenochan, unfinished business this civil question of is slavery dead, • Chalk on Paper, 32” x 40”, 2012-present
  • jc lenochan, the scrutinity of knowing too much too little too late, Chalkboard drawing, 36”x48, 2014-2015
    jc lenochan, the scrutinity of knowing too much too little too late, Chalkboard drawing, 36”x48”, 2014-2015
  • jc lenochan, psychological injury that plagues our youth, 23 inches high
    jc lenochan, psychological injury that plagues our youth, 23 inches high
  • jc lenochan, Installation
    jc lenochan, Installation
  • Lance Letscher, One Percent, Metal and Staples, 12” x 8, 2017, Courtesy of the artist and Pavel Zoubok Gallery New York
    Lance Letscher, One Percent, Metal and Staples, 12” x 8”, 2017, Courtesy of the artist and Pavel Zoubok Gallery New York
  • Lance Letscher, Little Garden, Collage, 22.5” x 17.5, 2017, Courtesy of the artist and Pavel Zoubok Gallery New York
    Lance Letscher, Little Garden, Collage, 22.5” x 17.5”, 2017, Courtesy of the artist and Pavel Zoubok Gallery New York
  • Lance Letscher, Corner Cabinet, Collage, 22” x 17, 2017, Courtesy of the artist and Pavel Zoubok Gallery New York
    Lance Letscher, Corner Cabinet, Collage, 22” x 17”, 2017, Courtesy of the artist and Pavel Zoubok Gallery New York
  • Ruth Liberman, Dresden, 16 and 17 September 1935, Pencil and typewriter film carbon on paper, 12 x 9” (22 x 18.5 framed with glass)...
    Ruth Liberman, Dresden, 16 and 17 September 1935, Pencil and typewriter film carbon on paper, 12 x 9” (22 x 18.5” framed with glass), 1998
  • Ruth Liberman, Released (April 16, 1945), Installation, 14.5” x 250 x 2, 2000
    Ruth Liberman, Released (April 16, 1945), Installation, 14.5” x 250” x 2”, 2000
  • Ruth Liberman, Released (April 16, 1945) detail
    Ruth Liberman, Released (April 16, 1945) detail
  • Tyson Robertson, Untitled 5 (I never knew/I always knew) • Black and white paper negative and black paper, 12 x 18, 2017
    Tyson Robertson, Untitled 5 (I never knew/I always knew) • Black and white paper negative and black paper, 12” x 18”, 2017
  • Tyson Robertson, Untitled 9 (I never knew/I always knew) • Black and white paper negative and black paper, 12 x 18, 2017
    Tyson Robertson, Untitled 9 (I never knew/I always knew) • Black and white paper negative and black paper, 12” x 18”, 2017
  • Tyson Robertson, Untitled 8 (I never knew/I always knew) • Black and white paper negative and black paper, 12 x 18, 2017
    Tyson Robertson, Untitled 8 (I never knew/I always knew) • Black and white paper negative and black paper, 12” x 18”, 2017
  • Stephanie Serpick, A New Fall #14, Oil on panel, 16” x 20, 2018
    Stephanie Serpick, A New Fall #14, Oil on panel, 16” x 20”, 2018
    @ Ben Fitchett
  • Stephanie Serpick, A New Fall #13, Oil on panel, 16” x 20, 2018
    Stephanie Serpick, A New Fall #13, Oil on panel, 16” x 20”, 2018
    @ Ben Fitchett
  • Stephanie Serpick, A New Fall #7, Oil on panel, 16” x 20, 2017
    Stephanie Serpick, A New Fall #7, Oil on panel, 16” x 20”, 2017
    @ Ben Fitchett
  • Stephanie Serpick, A New Fall #13, Oil on panel, 16” x 20, 2018
    Stephanie Serpick, A New Fall #13,  Oil on panel, 16” x 20”, 2018
    @ Ben Fitchett
Après Coup: Transforming Trauma into Art

gallery exhibition Hewitt Gallery of Art Hewit professional-exhibition